Katharina Grosse. Studio Paintings 1988-2022


Katharina Grosse Ohne Titel, 2001 Acryl auf Leinwand 250 x 170 cm Photo: Olaf Bergmann © 2023, ProLitteris, Zurich

The Kunstmuseum Bern is showing a major exhibition devoted to Katharina Grosse. The largeformat, vibrantly coloured paintings from the 1980s until the present clearly show the importance of the works on canvas in the artist’s oeuvre.

Colour is central to her artistic practice. She experiments with its physical presence, its sensoryand political potentials and its ability to embody movement. The exhibition enables to take a close look at 42 canvases, from her earliest works in the late 1980s to her most recent works.

The exhibition is organised by the Mildred Lane Kemper Art Museum (Washington University in St. Louis, USA) in cooperation with the Kunstmuseum Bern.

Biel and the Röstigraben


Biel/Bienne (canton of Bern) is the only city in Switzerland that is bilingual in the true sense of the word. The road to bilingualism was long, however, from the Romanisation and the Gallo-Roman culture of the originally Celtic region and the dominance of the German language to the bilingual status in 1950.

Author: Marco Zanoli, Wikipedia

The Celts, Romans and Alemanni and Seeland

The linguistic landscape of the region of Seeland and Biel (canton of Bern) was shaped by the incorporation of the present-day Mittelland into the Roman Empire around 15-13 B.C.

As part of the new Gallo-Roman culture, the local population soon also spoke (vulgar) Latin. Over time, Gallo-Roman dialects developed, from which several dialects of today’s French-speaking part of Switzerland emerged, the patois.

The spread of the German language by the Alemanni, who settled in the Mittelland from the end of the 6th century, was decisive, however. The Gallo-Roman and Patois dialects were pushed back and Alemannic reached the Aare at the end of the 8th century.

Between the 9th and 13th centuries, first the region south of Lake Biel and later those on the northern shore became predominantly German-speaking. There was no clear language border. The current Franco-German language border in the Three Lakes region was finally consolidated in the 18th century.

Biel

For more than 700 years, German was the only official language in Biel, but Biel’s elite maintained close ties with French-speaking areas and as early as the Middle Ages, French could be heard in homes, craft workshops and the city hall. Biel early on became a laboratory of bilingualism.

Johann Rudolf Weiss (1846-1939), Biel, 1919. Collection: Neues Museum Biel

The watch industry

In the 19th century, the boom of the watch industry led to a huge immigration from French-speaking Jura. This fundamentally changed Biel’s language landscape. Labour immigration is always one of the main reasons for language change. What makes Biel unique is the political will to upgrade French, and in 1950 French became the second official language and Biel became bilingual.

Collection: Neues Museum Biel

Bilingualism

It was only in 1950 that Biel opted for the official status of bilingualism. However, German and French are not the only languages spoken in Biel. Besides more than 50 other languages, living space also creates identity. Buildings, parks, squares and meeting places create familiarity and a sense of home for the inhabitants of Biel/Bienne.

The exhibition “Biel and the Röstigraben” explores the question of how different cultures live together in the city, where they meet and how they communicate. It shows that centuries-old multilingualism always demands attention to find mutual understanding.

(Source and further information: Neues Museum Biel/Nouveau Musée Bienne).

Lake Neuchâtel and the Caves of the Areuse Gorge


Noé Cotter, 2020. Photo: TES

The exhibition Errances dans les méandres du temps (Wanderings in the meanders of time) takes us to places photographer Noé Cotter (born 1993) has known since childhood. His exploration takes us from the depths of Lake Neuchâtel to the caves of the Areuse Gorge in the canton of Neuchâtel.

The 28 photographs on display were taken in 2020. They invite you to discover familiar yet unfamiliar landscapes. Natural elements – water, rocks and vegetation – play a central role, while the place of humans is ambiguous.

The latter is suggested by material remains, the remnants of pile-dwellings, ancient ships and contemporary objects transformed into archaeological remains by an extended stay at the bottom of the lake.