Agenda

The theme of the exhibition (Alles zerfällt. Schweizer Kunst von Böcklin bis Vallotton) is Sigmund Freud’s 1917 essay on the three infringements of human narcissism. According to Freud, three scientific discoveries have fundamentally shaken humanity’s understanding of itself: Copernican cosmology, Charles Darwin’s theory of evolution and Freud’s own theory of the unconscious. What Freud describes in his essay is the discovery that man is not the centre of the universe and does not rule either nature or himself.

The theme of the exhibition is the mood of uncertainty, the disillusionment with the controllability of but also the flight from the world and the longing for the marvelous. The exhibition shows Swiss art from this period in the 19th and early 20th centuries, including major works by Ferdinand Hodler, Arnold Böcklin, Paul Klee, Félix Vallotton, Cuno Amiet and Alexandre Calame and works by lesser-known artists such as Annie Stebler-Hopf or Clara von Rappard. The exhibition is thematic and sheds light on human uncertainty in relation to scientific discoveries.

Never has so much information been exchanged as today. Whether for visualizing big data, publishing journalistic findings, spatial orientation, or as material promoting effective learning and teaching—information design explains the most diverse contents within the shortest time through combining much visual material with few words. For images have the power to simplify and illustrate complex facts. The exhibition (Wissen in Bildern) presents this visual culture in printed and moving images and the risks (of manipulation).

In 2018, the Werner Coninx Foundation presented the Bündner Kunstmuseum in Chur with a permanent loan of large parts of his important graphic art collection with almost 1000 works by Cuno Amiet, Giovanni Giacometti, Ernst Ludwig Kirchner, Erich Heckel, Max Beckmann, Hermann Scherer, Johann Robert Schürch and others. The exhibition shows 95 of these works. The focus is on the ‘dark sides’ of expressionism, apocalyptic landscapes and a look into the abysses of the human soul. The emphasis is on art by Ernst Ludwig Kirchner with works from his time in Dresden, Berlin and finally Davos.